Nov 02
0

Courtney Pine, Journey To The Urge Within (1986)
Complete Album @ 320kbps + front cover art

 Courtney Pine - Journey To The Urge Within (1986)

I first heard this album in 1986. The father of a friend of mine bought the CD (wow, he owned a CD player – he was in the minority in the mid eighties!) The intro of the opening track had me hooked immediately. I never owned the album myself until now. I thought I’d download it but it’s not to be found on any blogspots so I actually purchased it legitimately

And now I’m sharing it to help out anyone who might be looking for it too. Sorry Courtney – I’m sure if people like it they’ll buy their own copy, right?

It’s ripped at 320kbps ‘cos anything less is for people who simply don’t know any better

Enjoy!

Track List:

1. Miss Interpret
2. I Believe
3. Peace
4. Dolores
5. As We Would Say
6. Children of the Ghetto
7. When, Where, How and Why
8. C.G.C.
9. Seen
10. Sunday Song

Link:

DOWNLOAD Courtney Pine – Journey To The Urge Within (1986)

http://rapidshare.com/files/217135192/J_T-T-U_W.rar

Password:

m1ck3ym0u53

And Finally …
Music critics are so up their own backsides, in my humble opinion. Here’s what one who shall remain nameless (but we’ve all got google) had to say about JTTUW:

‘Journey To The Urge Within’, earnestly annotated by the saxophonist himself and over-tense in its desire to cover as many bases as possible, is not a great record. But it is an extremely arresting document of what he’s trying to do. Pine’s own tunes predominate and they are, not surprisingly, a trifle callow and tricksy, aching with a desperate invention but why of the simplicity that makes for great writing (Wayne, f’rinstance). Too many themes, like on the opening cut ‘Miss-interpret’, kick time around like a ball on a string, the ball always bouncing back to base, but remaining murderously difficult to control and improvise with. Often the rhythm-section spills into raggedness as a consequence (though it is worth noting that ‘Mis-interpret’ Pine’s soprano harries Ray Carless’s baritone with an alarming, wildly exciting dogged-ness on the fade-out – perhaps the album’s one moment of real inspiration).

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